COMPOSITIONS
   

Seven Systems (2015)
2 piano, 2 percussion quartet with electronic playback and actuated snares

binary/momentary logics: flow state/joy state (2016)
String quartet

binary/momentary ii: flow state/joy state (2017)
Trumpet, 2 trombones, piano, and percussion

delay/line (2016)
Flute and delay line

Points Against Fields (2015)
Bassoon and playback

Broken Symmetries (2012)
Violin soloist, feedback electronics, flute, tenor saxophone, piano, and percussion

Chain Reactions/Five Events (2013)
String quartet and live electronics

Machine Language (2012)
Percussion soloist, 2 percussion, 2 violins, 2 bass clarinets, accordion, and fixed sine tones

MODULES (2014)
Brass quartet, percussion, analog synthesizer, and live electronics

hydra (2015)
Violin, piano, fixed media, and live electronics

Four Sixes (2014)
Percussion Sextet

Sixty Cycles (2013)
Sopranino saxophone soloist, feedback televisions, violin, and cello

Portraits/Self Portraits (2011)
Violin soloist with large ensemble

ATD V (2010)
Saxophone and electronics soloists with small ensemble

Tile Mosaic (after Chagall) (2010)
Two pianos, two percussion, and resonant pails

Standing Waves (2009)
Medium sized ensemble and electronics

Matrices (2009)
Percussion trio and electronics

7:6 (2006, rev. 2010)
Distorted, amplified cello

Lyra (2007 rev. 2010)
Amplified string quartet

Signal Flow (2009)
Percussion quartet and electronics

SWITCHES (2007)
Distorted, amplified cello and drumset

American Tokyo Daydream IV (data structures/monoliths) (2007)
Saxophones, electric guitar, and accordion

A Circle of 8 in a Prime of Primes for Sara (31), by Sam (29)
Sheng, pipa, suona, handbell choir, and live electronics

American Tokyo Daydream III (The Surprise) (2006)
Piano, string quaret, and live electronics

noise + mobile (2005)
Piano and electronic playback

 
Anne La Berge recording delay/line

delay/line was commissioned for Anne La Berge by the Barlow Endowment. With a simple glissing flute line and one delayed version of the same flute, this piece explores psychoacoustic phenomena across the rage of the flute.

This recording must be listened to through speakers. Over headphones, it really doesn't work.


View the Complete Score



Sam Pluta

COMPOSITIONS
   

Seven Systems (2015)
2 piano, 2 percussion quartet with electronic playback and actuated snares

Broken Symmetries (2012)
Violin soloist, feedback electronics, flute, tenor saxophone, piano, and percussion

Chain Reactions/Five Events (2013)
String quartet and live electronics

Machine Language (2012)
Percussion soloist, 2 percussion, 2 violins, 2 bass clarinets, accordion, and fixed sine tones

MODULES (2014)
Brass quartet, percussion, analog synthesizer, and live electronics

hydra (2015)
Violin, piano, fixed media, and live electronics

Four Sixes (2014)
Percussion Sextet

Sixty Cycles (2013)
Sopranino saxophone soloist, feedback televisions, violin, and cello

Portraits/Self Portraits (2011)
Violin soloist with large ensemble

ATD V (2010)
Saxophone and electronics soloists with small ensemble

Tile Mosaic (after Chagall) (2010)
Two pianos, two percussion, and resonant pails

Standing Waves (2009)
Medium sized ensemble and electronics

Matrices (2009)
Percussion trio and electronics

7:6 (2006, rev. 2010)
Distorted, amplified cello

Lyra (2007 rev. 2010)
Amplified string quartet

Signal Flow (2009)
Percussion quartet and electronics

SWITCHES (2007)
Distorted, amplified cello and drumset

American Tokyo Daydream IV (data structures/monoliths) (2007)
Saxophones, electric guitar, and accordion

A Circle of 8 in a Prime of Primes for Sara (31), by Sam (29)
Sheng, pipa, suona, handbell choir, and live electronics

American Tokyo Daydream III (The Surprise) (2006)
Piano, string quaret, and live electronics

noise + mobile (2005)
Piano and electronic playback

 
Anne La Berge recording delay/line at the University of Chicago

delay/line was commissioned by the Barlow Endowment for the amazing Anne La Berge. This piece explores psychoacoustic phenomena that occur over the range of the flute, employing a simple delay line as its only electronic process.

The following recording should only be listened to over speakers. It will not work in headphones.



View the Complete Score